Indi-Novi Ferguson Box, 25cm x 20.5cm, oil on canvas, framed
Made in England in the sixties by Model Roads and Racing Cars. MRRC was one of the first slot car companies to start off making small parts like gears, wheels, tyre’s and guides for scratch builders and hobbyists.
MRRC went on to be a major player until eventually being taken over by Airfix. The company still exists today but with new owners. The black chequer grid pattern and font set against the cadmium red deep has a wonderful contrast.
Monogram Mono-Jet, 25cm x 20.5cm, oil on canvas, framed
The illustration catches the action of high-speed racing and the blur in the blink of an eye of movement. Inside the box the main contents were rudimental. A rough sawn piece of balsa that vaguely resembled a car that was finished carving by yourself before painting, fitting tires and the steering. A motor or a C02 capsule could be attached to power the vehicle. It was made in 1950’s and 1960’s in America.
Tin Speedboat Box, 30.5cm x 15cm, oil on canvas, framed
I adore the modesty of this box for the tin speedboat made by the German company Schuco. The model was made in China for American company called Schylling in 1996. The tin wind up speedboat is a reproduction based on popular tin toys from the 1920’s and 1930’s.Framed
Blue Dragster, 61 x 21cm, oil on canvas, framed
An unknown skilled and patient hand built the enigmatic Blue Dragster. It arrived from America about 10 years ago it kit form and the model chassis, wheels and motor are first rate. Along the metallic blue body are tiny sponsorship stickers. The attention to detail on the sparkling chrome engine was incredible to paint.
Blue Dragster is based on American dragsters around in the late seventies. The model is valued over $200.
Recent work plays on themes of the day to day urban environment. Inspired by our relationship to objects Stuart has created a humorous collection of tabletop arrangements telling stories of travel and everyday life events for the viewer to connect and engage with. These fun and enjoyable compositions use toy trains, cars and figures from public and private collections drawing on his own experiences or just from the simple act of play. The enjoyment of playing with these collections is not lost on grownups which Stuart captures in his paintings as he continues to refine his distinctive approach to the traditional genre of still life.
A migrant to these shores in 2010, Stuart Smith arrived with few possessions and a keen wanderlust. His still life paintings mix traditional craftsmanship with modern aesthetic through table top arrangements of toy cars, trains and figures to tell a variety of engaging stories. ‘A Model Society’ presents his most recent work and first solo exhibition.
Fascinated by the power of objects in public and private collections he sought out collectors local to the Northern Beaches where he discovered a passionate and generous collector who offered unrestricted access to his vast collection of toy cars.
‘At first I was so overwhelmed with the scale and handling the objects that I focused on individual toys and barely noticed the dialogue between them’.
Open minded and without preconception Stuart approaches each painting like a child at play, allowing the character and personality of each object to respond to another, suggesting dramatic scenes or snippets from everyday life. The results are a rediscovery of simple pleasures.
Stuart’s paintings have a charm and warmth that lies in the painter’s quiet and controlled use of both subject and medium. With subtle layering of oil paint on polished gesso surfaces he achieves strength in colour and tone enhancing the overall illusion. His intentions are not to create a photographic result but a window to another world where the painting process lets the subject shine.
Stuart Smith has been involved in number of Group Shows and Art Prizes since arriving in Australia in 2010, including: 2013; Eutick Memorial Still Life Award (the EMSLA), 2013; One to One, Hong Kong, 2013: Storytellers, Frances Keevil Gallery, 2012; Art Concerning the Environment, Scope Gallery, 2012; Eutick Memorial Still Life Award (the EMSLA), 2012; Camberwell Rotary Art Prize, 2011; National Trust Harper’s Mansion Art Prize, Sydney, 2011; Mosman Art Prize.
The exhibition ‘Stuart Smith – A Model Society’ is showing at Bird’s Gallery 236 High St Kew Melbourne VIC 3101 February 27 – March 15 2014 T: (03) 9855 0327 M: 0428 781 506 email@example.com
See more at http://birdsgallery.com.au/stuart-smith-model-society-29-feb-15-march/
Britz, 2014, oil on board, 120 x 90cm
‘Yeah baby yeah’ said Austin Powers. The thrill of adventure! Fun loving backpackers on gap year stopping for pie and a dream set up wheels rolls on up. In my prime I managed to hitchhike all the way around Ireland…twice. Ever thumbed a ride ?
Standing Room Only, 2014, oil on board, 120 x 90cm
Featured in the upcoming show ‘A Model Society’. Welcome on board. Standing room only as these carriages are full with passengers packed to the rafters. Try not to catch anyones eye!
Unleaded, 2014, oil on board, 120 x 90cm